9 to 10 September 2017, Maria Island and Sailing Towards Ile des Phoques, Tasmania
Wineglass Bay Sail Walk
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Links go to posts with the colour versions of the images (where there may also be more information). If an image does not have a link (or a caption), use the preceding one.
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Large trees, near the isthmus on Maria Island.
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Riedle Bay.
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Shoal Bay.
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Lighthouse on Tasmanian mainland.
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Probably Freycinet Peninsula and Schouten Island in the distance.
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Murray Foote 
Fantastic images.
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Thanks heaps, Peggy!
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Murray…sometime, tell me about the halo in a couple of these images. I need to learn.
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I don’t understand what you mean, so you’ll have to give an example.
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More beautiful monochrome images – some looking like abstract, monochrome paintings.
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Yes, it was a very special morning, that one.
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[…] WBSW2: Contemplation […]
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A wonderful selection (as usual!) Really like the “Visions” series of water textures!
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Thanks very much Michael. That water presented wonderful opportunities!
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Hi Murray, Do you have a preference in filters when photographing beach and sea scenes? Again I love your work, particularly in the mono field. My first love !!!
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Using filters is the old way with film (or a Leica Monochrom). Different filters (red, orange, yellow etc) gave different renditions so you had to preconceive that and choose your filter accordingly. Actually in those days I did very little b&w, I shot slides and printed Cibachrome.
In the digital world, though there are some forms of in-camera b&w, the usual way is to shoot in colour and then convert in post-processing. That way, not only can you choose your filter after the fact, but you can fine-tune it in all sorts of ways that were unimaginable in the film days.
You can also set your camera to show a b&w image when you are shooting though as long as you are shooting RAW, you will end up with a colour image to process. This can sometimes be useful even if you intend to end up with a colour image because it helps you concentrate on form and structure.
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