Sculpture Garden, National Gallery of Australia, Canberra, Australia, 23 October 2016
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This was a Sunday afternoon where twenty-six of us from the Canberra Photographic Society and community organisation Photo Access undertook a challenge to create Art at the Art Gallery, in my case mainly outside it and in and around the Sculpture Garden.
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All images are infrared. The first three were in a part of the Sculpture Gardens enveloped in mist while Fujiyo Nakaya’s Fog Sculpture was operating.
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Reflections and views at Fugelman’s Cones.
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Trees and their residents.
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The Tree Fern Garden.
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The Gallery from Outside.
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Outside James Tyrell’s Skyspace.
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James Tyrell’s Skyspace.
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Logically, I should post next for Sydney Blues Festival and the excursion to Point Hicks but the images won’t be ready on time. So I expect I shall post aerial images between Madagascar and the Falkland Islands next, then the two posts I just mentioned and then the Falklands. Posting will continue to be slow for a while.
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Murray Foote 
I am awestruck. So wonderfully creative and captured.
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Thanks heaps, Robert!
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Great photos. Looking forward for more of your work.
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Thanks very much!
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Wonderful imagery and what a stunning place! Sadly I haven’t been there, so thanks for sharing. The fog machine would have created some amazing scenes.
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Thanks very much Lee. Yes, lots to photograph in the Sculpture Garden and the Gallery itself is always compelling.
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Wow, gorgeous infrared compositions! Especially love the trees and fern images.
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Thanks heaps CS!
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We like the last photo the best 🙂
Have enjoyed browsing through your blog.
Karen & Jeremy
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Thanks very much Karen and Jeremy!
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Amazing views. My favorite is the one below the comment ‘Outside James Tyrell’s Skyspace.’
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Thank you. Interesting choice. My favourites are probably the last one and the cones with red tree reflections.
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It was a tough decision. Possibly because it had the most amount of sky in it. They are all stunning.
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Ah, OK, you meant the one below the label, not as I assumed the one above.
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[…] Sculpture Garden, NGA, 2016. […]
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