Casa Batlló Duotones (Barcelona)

Barcelona, Spain. 28th October 2018.

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The equivalent colour post with more images and more information including historical context is Casa Batlló.

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Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

We are arriving at Casa Batlló for an evening visit.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

A light well in the ceiling.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Main light source from the feature room on the ground floor.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Internal windows.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Looking down a staircase.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Looking through to the Atrium; windows and vents mirrored front and back.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

An artistic triumph at the top of the stairs.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Looking up in the Atrium.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Lift well.

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Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

inside the Atrium.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Door beside the Atrium.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

The arches of the Loft, originally a service area.

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Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Marga Mbande.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Marga Mbande.

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Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Marga Mbande in concert.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Gaudi decoration on the roof.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Marga Mbande’s guitarist.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Marga Mbande’s guitarist.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Marga Mbande.

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Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Walking back down. It’s the same route but things can look different going the other way.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Somewhat similar image earlier; different door, floor and details.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Looking down stairs.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

Looking up through the Atrium.

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. Architecture, Barcelona, Barcino, Black and White, Castel de Monjuc, History, Landscape, Monochrome, Paul Klee, Photography, Spain, Street photography, Travel

The dangers of gluing oneself to a wall.

(All the guide books warn against this).

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You can have black and white images or monochromes (single tone) or duotones (different tones for highlights and shadows.  You can also have tritones and quadtones, where either three or four colours are assigned to different tonal ranges.  In the pre-digital world, duotones to quadtones were mainly commercial printing techniques and possible but quite difficult in the darkroom.  In the digital world it gets much easier but as with anything in Photography, it doesn’t matter how hard or easy it is to do, the only relevant question is “How well does it work”?

All of these images start off as duotones but they are not all the same treatment.  While there’s a case for processing all images in a post the same way, this is not what I have done here.  The people images have blue highlights and orange shadows.  The images with wood doors etc have yellow highlights and red shadows.  The images with wall tiles have orange highlights and blue shadows.  It’s generally supposed to be subtle though the colours can look quite different where the dominant tones of images vary.

Half of the images actually have four tones applied.  Whether that makes them duotones is a moot point because I have done it regionally, not globally.  In most cases you probably won’t notice.

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My attitude is also not to compare them with the colour images, that’s a different world.

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